Matthew Zedler Modern and High Art
Modern Classic || Modern Advanced || Contemporary || High Art
MZFA Newsletter (Series 6, Vol. 1) “Redheaded Woman, – Envious” MZFA Newsletter (Series 6, Vol. 2) “Miro’s Dream” MZFA Newsletter (Series 6, Vol. 3) “Miro’s Dream II” MZFA Newsletter (Series 6, Vol. 4) “Miro’s Dream IV” MZFA Newsletter (Series 6, Vol. 5) “Miro’s Dream VII” MZFA Newsletter (Series 6, Vol.6 ) “Simplicite’” MZFA Newsletter (Series …
MZFA Newsletter (Series 5, Vol. 1) “Drawing #783” MZFA Newsletter (Series 5, Vol. 2) “Abstract Expressive #43” MZFA Newsletter (Series 5, Vol. 3) “Panacea Pour l’âme Series, ~ Portals Subseries (Work XXX)” MZFA Newsletter (Series 5, Vol. 4) “Geometric Compositional Series, Work #I” MZFA Newsletter (Series 5, Vol. 5) “Santorini Sunset” MZFA Newsletter (Series 5, Vol. …
MZFA Newsletter (Series 4, Vol. 1) “Panacea Pour l’âme Series – Work # IX” MZFA Newsletter (Series 4, Vol. 2) “Casa” MZFA Newsletter (Series 4, Vol. 3) “Incoming” MZFA Newsletter (Series 4, Vol. 4) “Geometric Galaxy” MZFA Newsletter (Series 4, Vol. 5) “Surrealist Drawing #152” MZFA Newsletter (Series 4, Vol. 6) “Drawing #171” MZFA Newsletter …
MZFA Newsletter (Series 3, Vol.17) “Panacea Pour l’âme Series – Work # XXXII” MZFA Newsletter (Series 3, Vol.16) “Panacea Pour l’âme Series – Work # XXVII” MZFA Newsletter (Series 3, Vol.15) “See Life Series – Work #14” MZFA Newsletter (Series 3, Vol.14) “Panacea Pour l’âme Series – Work # XV” MZFA Newsletter (Series 3, Vol.13) …
The human form has been a primary source subject matter since the dawn of painting. Conceived and displayed in infinite ways, in the end it always attempts to depict our strengths, our frailties, – and our mortality. My expanding repertoire of figurative artworks maintains a similar theme as those of the past. Through the use …
Created through the lens of abstraction, chosen life forms are refracted through an artist’s eyes and put down onto canvas. In my bio-abstract works, both in series and individual, I have chosen abstracting life forms from both the micro and macro living worlds. Many of my bio-works are framed within linear-geometric boundaries.
This movement came about during the 1940’s in a rebellious effort to create non-conformist, non-representational art derived directly from the creative DNA of the artist. R.A.E. ( Raw Abstraction Expressive) art attempts to throw out all preconceived academic art notions. The ultimate goal here is to create directly and spontaneously from the soul without any …
Geometric abstraction emerged as a revolutionary modern art genre in the late 1800’s. In many ways, geometric art has the means of relating to the tangible aspects of life and living through the use non-representational shapes and forms. Two of the most notable initiators of this style of work were Wassily Kandinsky and Kazemir Malevich, …
Color field painting is an abstract art style that emerged in the late 1940’s and 1950’s in New York. At that time color left the world of fine art as just an influencing agent, and became the subject matter. As we well know today, the select use of color in art wields great power over …